Sydney Oh Sydney – What am I to do!

You make my decision so hard - to stay near family or move back into the buzz?

Sydney Oh Sydney – What am I to do!

You make my decision so hard - to stay near family or move back into the buzz?

ninadobrev:

Check!View more Nina Dobrev on WhoSay 

Love this one
michaelswaney:

Amy French and Lily Long, Karlamilyi, 2011. acrylic on canvas, 5m x 3m
"This enormous, gorgeous painting by sisters Amy Frenchand Lily Long testifies to the vitality and diversity of indigenous painting in the Pilbara. Karlamilyi is a complex and layered work, brimming with knowledge about native animals and plants, journeys through country, ancestral beings, waterholes and landforms. French and Long’s distinct visual language challenges notions of desert painting, blending figurative and abstract imagery to present an energised landscape that is filled with elements of the seen and unseen world.Writers and senior Martu translators worked with the artists to generate interpretative information about the stories and knowledge embedded in this significant painting. Karlamilyi is presented with an interpretive wall diagram and accompanied by recordings of French and Long singing.”
see video here

I saw some of Martu pieces at the Sydney Contemporary Art Gallery - so beautiful

michaelswaney:

Amy French and Lily Long, Karlamilyi, 2011. acrylic on canvas, 5m x 3m

"This enormous, gorgeous painting by sisters Amy Frenchand Lily Long testifies to the vitality and diversity of indigenous painting in the Pilbara. Karlamilyi is a complex and layered work, brimming with knowledge about native animals and plants, journeys through country, ancestral beings, waterholes and landforms. French and Long’s distinct visual language challenges notions of desert painting, blending figurative and abstract imagery to present an energised landscape that is filled with elements of the seen and unseen world.
Writers and senior Martu translators worked with the artists to generate interpretative information about the stories and knowledge embedded in this significant painting. Karlamilyi is presented with an interpretive wall diagram and accompanied by recordings of French and Long singing.”

see video here

I saw some of Martu pieces at the Sydney Contemporary Art Gallery - so beautiful

Its good to get back into reading

Its good to get back into reading

FanLanguage Night Lights

Since being back in Wellington a visit to the library has rejoined my “to do list” most weeks. There are so many good reads and it is so nice to hold a book.  Saying that though, I do still adore the ease of the kindle and ability to buy big books at international prices. 
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Me taking photos

I love my monthly photography group – I always feel like I walk away with new ideas and a burst of enthusiasm to get out there and take more creative pictures! I gather a clearer view of the world when I’m searching for that magical shot. I see things that I never see. I never feel that I’ve nailed the shot, I always feel like I could do more. Though that sense of inadequacy isn’t all bad, as it really drives me to satisfy that creative hunger. 

Each month four to seven of us converge on a Wellington location for two hours to run around and take as many pictures as we can based on a series of challenges we have given one another. We’ve visited the Bank arcade, waterfront, Railway station, National Library and this week Leeds lane and Cuba street. Through a steady drizzle and foggy view finder we huddled around the old Hannah’s Warehouse looking for 45 degree angles and discovering those perfect “ugly duckling” shots.

Each week someone is nominated to hand out the challenges and we’ve had a range – I chose Black and White for the Railway station.  With all the gorgeous high ceilings and large glass windows, we were spoilt for contrast. I struggled at the Botanic Gardens for inspiration – though a bleak winter garden and lack of macro lens meant I was somewhat limited.

After 45 mins of taking photos around the same area we reconvene for a coffee and camera swap.  That in itself is always a learning curve as I get to discover what lens everyone else is trialling and play around with their cameras.  At the Botanic Gardens I learnt all about Macro lens and the little lens covers you can get that do a similar job of magnifying the subject. One of the girls has an Olympus and I love the small size of her camera – some of the zoom lens for Canon require protein shakes to develop the muscle tone to hold it up.

I walk down Cuba street every second day, but with camera in tow I saw so much more! Being in a group removes so many inhibitions – I roamed the corners and hovered in windows, tilting my camera this way and that to try window reflections. People don’t seem to notice you as much when you’re in a group. More forgiving of you when you take their picture.

 

 

Some things are clearer through the Lens I love my monthly photography group - I always feel like I walk away with new ideas and a burst of enthusiasm to get out there and take more creative pictures! 

Cutting Out The Clutter of Users

Cutting Out The Clutter of Users

knives

I’ve been recognising lately, how many people out there that abuse other peoples time.  People who also happily use your time to glean your knowledge for free – contributing neither money or goodwill. These users really are scoundrels.

And I’m sharpening my knives to cut them out!
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fastcompany:

Box SVP Sam Schillace shares how he quickly and cheaply experimented on an app no one wanted—that became the basis for Google Docs.

Schillace says that even at companies focused on innovation, it’s hard to convince others of the value of truly new things. “Whenever you see something that’s truly creative or disruptive, it challenges your worldview. And when you’re challenged like that, you have a choice either to accept the challenge, meaning that you are in some way wrong, or reject it, which is saying that the thing itself is wrong. So it’s very rare that people will say, ‘Oh I must be stupid because I didn’t see this,’ so usually people’s first reaction is to reject them.”

Read More>

Seeds start somewhere

fastcompany:

Box SVP Sam Schillace shares how he quickly and cheaply experimented on an app no one wanted—that became the basis for Google Docs.

Schillace says that even at companies focused on innovation, it’s hard to convince others of the value of truly new things. “Whenever you see something that’s truly creative or disruptive, it challenges your worldview. And when you’re challenged like that, you have a choice either to accept the challenge, meaning that you are in some way wrong, or reject it, which is saying that the thing itself is wrong. So it’s very rare that people will say, ‘Oh I must be stupid because I didn’t see this,’ so usually people’s first reaction is to reject them.”

Read More>

Seeds start somewhere

So inspirational to hear the winning writers from the NZ Post Book Awards - cool to see Elanor Catton after reading The Luminaries. @wcl_library

So inspirational to hear the winning writers from the NZ Post Book Awards - cool to see Elanor Catton after reading The Luminaries. @wcl_library

kickstarter:

Project of the Day—The Moa is a giant bird that also looks kind of like a dinosaur that lived in New Zealand and is now extinct. But fear not, you can still enjoy their gentle, looming presence with a virtual app that allows you to interact with them in our modern world.

Not sure what else they’ll bring back

kickstarter:

Project of the Day—The Moa is a giant bird that also looks kind of like a dinosaur that lived in New Zealand and is now extinct. But fear not, you can still enjoy their gentle, looming presence with a virtual app that allows you to interact with them in our modern world.

Not sure what else they’ll bring back

This months challenge: Redesigning my business cards

This months challenge: Redesigning my business cards

NationalLibrary-61-17

I can see why the big brands spend so much on their logos, as the process to determine the elements you want to include is exhausting. Finding the balance between design simplicity and the need to convey core messages to the viewer is a long thoughtful process.

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